Current Exhibition

See The Music (Volume 3)

Our annual See The Music exhibition features 190 photos from 18 of Australia’s leading music photographers.

There are many well-known photos covering a wide range of musical genres, including rock, pop, jazz, blues, country and more. Please check details in the descriptions for each photo. Some are sold signed, some unsigned, some are framed, some are not. Framed prints should be collected from the gallery at 46 Douro St, Nth Geelong, but can be sent out by courier – courier and insurance fees apply, please contact us for details. Unframed prints can be posted out for a flat $20 fee

Eric Algra

“Most people who take up photography will initially turn their cameras toward a subject they’re passionate about. For me, that was rock’n’roll. In early 1978, after I’d photographed a number of concerts and local gigs in my hometown Adelaide, I met Donald Robertson, editor of RoadrunnerI soon became principal photographer for this exciting new music magazine. I found myself going out three or four nights a week to photograph local gigs and all the big concerts. Not just for Roadrunner, but also for fun and often at the request of local bands. This became my social life, one I really enjoyed. Many of the good people I met during this period became lifelong friends. As the old saying goes, though, all good things come to an end. Roadrunner’s demise in 1983 was sad but it certainly wasn’t the end of me attending gigs as a music-loving patron. And yes, I still take along a camera.”

“These days, I work as a documentary photographer, doing both commissioned and personal work. This takes me to interesting places and has introduced me to many inspiring people. Photography, as an art form, a record, an expression of unnameable yearnings, remains a driving passion. That and rock’n’roll, of course. In 2021 I published Rock’n’Roll City, a collection of photographs from the Roadrunner days, widely regarded as a seminal period in Australian music history.”

Abby Beaumont
Artist, graphic designer, craftsperson and accidental photographer.

“I went to Sydney in the 1970’s to help start RAM music magazine. There was no budget for a photographer, so I learned to take, as well as develop and print, photos. I spent much of the next 10 years continuing to take photos.”

“In 2017 I designed and published a book of my music photography, When We Were Very Young: Rock’n’Roll in the Seventies. 

Being an artist meant that I always needed to search for something in the music. It seemed the thing to do was to try for the ultimate rock’n’roll photo. Impossible of course, but some of the photos do come close to reflecting the essence of particular bands and individual musicians. For me it was always about the ultimate photo and the friends that I made and the music, which was always new and fresh.”

John Casamento

John’s photojournalistic career began in Melbourne in 1955. For the next five decades, thousands of his photographs illustrated many newspapers and magazines. On leaving school at 16, John joined Australia’s largest circulation daily newspaper: The Sun News-Pictorial which later became the Herald Sun, Australia’s largest-selling daily newspaper. After 36 years and countless front page images he joined Leader Newspapers for a further 16 years.

Engaged in many assignments across Australia and overseas, his multi award-winning photojournalism earned him many accolades including Press Photographer of the Year in 1977. As a respected elder and senior photographer, John’s decades of experience and continuing contributions are cherished and invaluable.

John recently published a book featuring many of his uplifting photos, titled Never Work With Animals or Children, with proceeds from the book supporting the Fontan Registry for heart surgery at the Royal Children’s Hospital in Melbourne. You can purchase the book HERE.

Sandy Gray

A local Geelong photographer, Sandy loves to photograph live performances and black and white portraiture.  He enjoys supporting community theatre with some of his photography used as publicity for local productions and as a record of performances.

Sandy’s images are also occasionally integrated into the performance: a recent example being the Anglesea Performing Arts production of Shadows of Angels.

 

Lothar Huber

Lothar Huber was born in 1936 in Offenburg/Baden, Germany, and undertook a four-year apprenticeship in a photographic studio in Offenburg/Baden, which incorporated all aspects of industrial, press and portrait photography.

Lothar then worked at Sudewestfunk (Southwest Radio) in Baden Baden, under Joachim Berendt, an author, filmmaker and record producer of jazz and American folk music. Lothar’s photos from this period appeared in books, calendars and exhibitions. Some continue to appear in publications to this day. 14 of these photos are in this current exhibition.

Lothar is one of the main photographers represented by FP Photos. You can see more of his photos from a wide range of subjects and years HERE.

Ivan Kemp

“Now based on the Bellarine Peninsula, I have transitioned my career to professional freelance photographer and undertaken photography assignments here and in Melbourne. A strong passion for portrait photography has led to photography assignments in theatrical productions, music gigs and artist promotions and portraits.”

“As a freelance photographer, I also photograph for the Geelong Independent and Ocean Grove Voice, food and restaurants, events, school photography and private commissions.”

“I recently held a solo exhibition, We Are Back at the Potato Shed, Drysdale, Victoria. This exhibition, which opened 4th December 2020, linked photographs of 23 performing artists with a personal statement by each artist detailing how their careers were affected by the COVID19 shutdown of the performing arts industry within Australia.”

Lisa Kenny

“In 2010 I was given a weekend pass to the Queenscliff Music Festival. I had only recently started photographing bands at local festivals, and discovered this could be my ‘thing’ – so I took my camera and photographed as many acts as I could. It turns out they had a competition that year to find an official photographer for the following year. I was lucky enough to win. And I subsequently got asked back in the following years.”

“I’ve also been photographing at the Riverboats Music Festival in Echuca since their beginning in 2012.”

“I don’t consider myself a professional photographer, just an amatuer who got lucky. I am honoured to be featured alongside some world class photographers in this exhibition.”

“I just wish I’d found my ‘thing’ 20 or 30 years earlier!”

Peter Lane

Peter’s passion is in the visual arts, music, photography, writing, cinematography, and direction. He graduated with a BA in communication from RMIT, with majors in sociology and communication. He also studied Film Directing with Swedish film director Ole Mynster and Polish director Jerzy Domarardski at the Australian Film, Television and Radio School, Screen Writing at the Australian Film, Television and Radio School, and Advanced photography at Swinburne University with Athol Shmith and John Cato.

Peter wrote the screenplay for the suspense feature Hypnogogic and was co-writer of the screenplay for the feature SurfStadia. He has had photography in six group exhibitions and self-published a book on his photographs of the Sunbury Music Festival 1973 & 1974. His photos of Queen on stage are very possibly the only photos of the band at Sunbury ’74. Two of these and six photos from Sunbury ’73 are in our current exhibition.

Bill McAuley

Bill began his career in newspapers in 1969 as a cadet photographer on The Age in Melbourne. The following year he moved to The Daily Telegraph in Sydney and, remarkably, was named Press Photographer of the Year in 1972. Over the next 40 years, he worked for publications in Sydney, Melbourne, London and Canberra.

Bill joined The Australian as senior photographer in 1987 and was the foundation pictorial editor for The Sunday Herald in 1989, The Sunday Herald Sun in 1991 and The Sunday Magazine in 1997. 

The National Portrait Gallery in Canberra has acquired nine of Bill’s portraits for its collection. In 2022, to coincide with an exhibition at Focal Point, Bill released a book of his portraits, titled Portraits of the Soul, which is available HERE.

Wendy McDougall

Wendy sold her first photo (of The Angels) in 1979, and began her 40-year career photographing Australian and international musicians. She steadily built her career that spans not just music photography at the highest level, but also includes working in theatre, film, documentary and fine art photography.

Wendy has shown her work in many exhibitions and has been recognised with numerous awards and nominations, including Head-On, Art & About, the Moran Photography Prize and the National Photographic Portrait Prize. The crowning glory of her music photography was winning the inaugural Australian Women In Music Award (AWMA) – Best Photographer.

In 2019 Wendy published a book of her work, it’s only rock’n’roll but I like it…, which is available for sale during this exhibition. As a special treat, the first edition print of any of Wendy’s photos sold during the exhibition will include a complimentary autographed copy of her book (RRP $55). Or you can grab a copy HERE.

Ronnie ” Dogman” McPherson

Ronnie was a local Geelong photographer who spent his life capturing the raw energy of live music in the Geelong region, from the grunge and raw force of the local underground rock and punk music of the 1970s to the 1990s, to national and international acts that performed in the Geelong area. Ronnie’s photos are the images to accompany the soundtrack of our lives.

Sadly, Ronnie passed away in July this year. Thankfully, though, his negatives archive has been preserved, with many forming the backbone of the book Bored! – This was Geelong, put together by Maree Robertson. We have a handful of these beautifully presented 680-page books available at the gallery, but not online.

Mark Moray

Mark studied Interior Design at RMIT and Interior Decoration at the Melbourne College of Decoration. He designed a number of theatre sets, and a home he decorated in South Yarra made the front cover of Home Beautiful magazine in 1992. His passion for photography began in 1981 during an Art and Design course he was studying when he purchased his first camera (film); a Minolta XG-1. He learnt the art of processing negatives and printing his own photos and, soon after, set up a darkroom at home.

In 2015 Mark had his first music photos publication in Rhythms magazine. His photos of The Rolling Stones were linked to an article written by Sam Cutler, the Stones’ ex-tour manager. From there, Mark started to get his work published in Australian Musician and Culturemad magazines, where he began to interview artists as well as writing the occasional review. Mark’s work has also been published in books and magazines, as well as an album cover.

A highlight for Mark was being asked to use one of his recent photos of Uncle Archie Roach for the booklet at his funeral, which was approved by his family.

Philip Morris

Philip was born in rural NSW and started his photography career at the age of 15. In the late 1960s he became a contributor to Australia’s pioneering pop publication, Go-Set. He soon found himself shooting many of the musicians he had admired as a fan.

He shot AC/DC’s first professional studio session and continued to photograph the band for several years. Philip also shot virtually every international superstar who came to Oz, from The Jackson 5 to Led Zeppelin, Paul McCartney, The Rolling Stones and many more.

Philip has contributed to every major publication in Australia and has shot award-winning album covers for The Angels, Midnight Oil and Marcia Hines.

Philip recently produced a book of some of his his music photography, titled It’s A Long Way To The Top. This fabulous book has virtually sold out, although Philip does apparently have a handful left. You can connect with Philip on Facebook HERE.

Rodney Nicholson

“It only seems like yesterday 1997 when having a beer with old mate Kim Goodall (Founder of QMF) at the Espie (Brewhouse) when he asked…  ‘Rod what do you think about having a Music Festival in Queenscliff?’ I’d been involved in running bands at the Ozone Hotel in the Late 1970’s and we both played music, so we had some clues. ‘Sounds like a bloody good idea to me, Kim!! Let’s do it’. Well, the rest, as they say, is history. I put up my hand to photograph and was running solo for the first few years. It grew and grew to the amazing festival it is today. I recently finished shooting the 24th QMF, and what a huge success it was. I’m proud to say I’m the longest serving volunteer at QMF, and in 2016 was honoured with Life Membership for photography.”

“I’m mainly a landscape/seascape photographer, having run two galleries in Queenscliff over two decades, and touring exhibitions around Port Phillip Bay. The Images I have selected for this exhibition are mostly from my early film days at Queenscliff Music Festival. Please Enjoy.” 

David Parker

David is best known as a producer, cinematographer, writer and director of Australian films, including Malcolm, Amy and The Big Steal. Prior to this work he was Still Photographer on 18 Australian films (The Man From Snowy River, Burke & Wills and Long Weekend among them).

David was born in Brisbane in 1947 and moved to Melbourne in the late 1960s to study photography at RMIT. In an early part of his career he was a freelance photographer, doing a lot of work through the 1970s and 1980s for TV Times magazine. This involved a lot of press and promotional work of the film, television, music and theatre industries. His work in this exhibition includes the obligitory concert, but also includes studio sessions with the likes of AC/DC and Nick Cave, through to capturing the famous interview by Molly Meldrum of Prince Charles on the set of Countdown.

Jay Town

Jay started as a cadet photographer with Leader Newspapers in 1982. After finishing his cadetship, he obtained a job with The West Australian and Daily News in Perth where he worked for 3 years until coming back to Melbourne to work for the Sun News Pictorial, which became the Herald Sun in 1990. Jay moved to Sydney and worked on the Daily Telegraph as their sports photographer, then helped start up News Ltd’s new magazine, Sports Weekly. A year later he joined the newly formed Super League Rugby League competition as its official photographer and Picture Editor of the Super League Magazine. Two years later, Super League merged with the ARL to become the NRL and as it was no longer a part of News Ltd, Jay moved back to Melbourne on the Herald Sun

For the next 22 years, he worked mainly on the Herald Sun, besides a 3-year stint on its stablemate, The Sunday Herald Sun, including 9 months as Picture Editor, and another 9 months on the Geelong AdvertiserJay took a redundancy from News Ltd at the end of 2020, and now works as a freelance photographer.

Simone Tyrrell

“I started shooting in my late teens, and in my early 20s I worked for local newspapers and for Fox FM radio station, shooting their in-store appearances and promotional gigs for their website content.”

“I then branched into live music photography and have never looked back. I love attending festivals for the variety of acts, but also love a local gig in any of Melbourne’s iconic venues, as we have a fabulous live music scene.”

“I love shooting old-school Aussie artists that were around back in my youth, but I also enjoy discovering new and upcoming artists. The talent we have in the Australian Music industry is remarkable and it makes me immensely proud to be a part of the live music scene.”

Craig “Watto” Watson

Watto has been a professional photographer and photojournalist for over 30 years. While studying photography at RMIT he took on a part-time job at Leader Newspapers in Blackburn, Melbourne. This led to a two-year stint in the darkroom at the Herald & Weekly Times, which in turn led to six years as a photographer on The Weekly Times newspaper.

Going freelance in 1996, Craig spent the next 20 years specialising in classic motoring and motorsport photography, including 12 years with his own motoring magazines, The Mini Experience and The BMC Experience. After closing down the magazine in 2017, he decided to open Focal Point: a community access darkroom with a photographic gallery and studio, to celebrate and educate about photography.

Focal Point is Geelong’s centre for creative photography and regularly brings some of Australia’s best photographic exhibitions  to  Geelong.

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